Companies
(in parentheses), 127.0.0.1, 15 Head - a theatre lab, 20cent Fiction, 3 Legged Dog, Akari Morpheus Kollaborationz Inc., Arka Theatre, Axis Company, Beyond the Proscenium Productions, Big Art Group
Festivals
Adelaide Fringe 2006, Cincinnati Fringe Festival, Drama Festival - 2000: Chennai, Dublin Fringe Festival, Durham Drama Festival, Edinburgh Festival Fringe, First Person Festival, Fringe Theatre Adventures (FTA), FringeNYC, KunstenFestival des Arts
Shows
Charlie in Lights - Edinburgh Festival, Dante Project, Daughter of a Pacifist Soldier, Foreplay: Erotic Improv, Growing and Learning with Sissy, Mediacracy, Squat Theatre, The 99cent Family, The Red Chair, The theatre in Absence: Abstract Commedy
Venues
Bedlam Theatre's Edinburgh Fringe Website, Dance Theater Workshop, DiverseWorks, Dixon Place, Here Arts Center, Highways Performance Space and Gallery, La MaMa, Location One ; Catalyst for Content and Convergenc, Octopus (Bushwick), On The Boards
AlternativeTheater.com
An internationally oriented, multilingual resource for theater practitioners, producers, students and professors. The site provides information on funding, job opportunities, and gatherings for scholars, and artist as well as the abundant activity of worthwhile but little known theater artists across the globe. It will also aim to stimulate the discourse about some of the more established artists, living and deceased, who continue to motivate the experimenters of today.
NYU's Experimental Theatre Wing
The Experimental Theatre Wing is dedicated to initiating students into the artistic process through the medium of theatre. Their training is diverse and well rounded and their alumni (and students) create some of the most interesting performance around.
Oxford Samuel Beckett Theatre Trust Award
To help the development of emerging practitioners in the field of experimental theatre and to encourage a new generation of creative artists.
Teatre Virtual
In its different levels of realization, this is a space for the experimentation and dissemination of the Internet as a new creative platform for the scenic arts.
Theatre Forum
Since 1992, has documented and discussed the work of innovative theatre artists in Africa, Asia, Australia, Europe, and the Americas. Focus is on new performance works that reflect contemporary sensibilities and articulate new concepts and forms. Each issue includes at least two previously unpublished scripts, dozens of photographs, and a variety of articles and interviews written by both scholars and artists.