Scarlet O'Hare's review: "few good tracks float to the surface when compared to the predictable pop songs and truly awful ideas."

Bill Aicher's review: "the album as a whole has a musically vapid, cookie cutter pop sound."

Troy Carpenter's review: "She's been sashaying toward middle-of-the-road pop rock bliss through her entire career, and it has just come to a hilt here."

Jay S. Jacobs' review: "every bit as deep and touching as Phair's previous work"

Adrien Begrand's review: "highly overproduced, shallow, soulless, confused, pop-by-numbers disaster that betrays everything the woman stood for a decade ago"