Mikael Wood's review: "...a terrific slice of micro-managed pop, flush with multi-tiered melodies and the kind of sonic detailing the Beatles and George Martin used to get a kick out of."

Profile and interview. [Magazine subscription or AOL required.]

Story on Brion's weekly performances at the Los Angeles club Largo.

Article in which Brion discusses his production techniques and work on the "Magnolia" score.

Interview on the psychology of production work, the state of the "pop song" and his score for the film "Punch-Drunk Love."