The artist writes his "self-portrait" which serves posthumously as a perpetual conceptual memorial project. Captioned artwork photos relate his major themes.

Links to images of his museum and gallery holdings provided.

Selected bibliography of group and individual exhibitions links to critical essay by Robert Storr and interview by Tim Rollins that covers the implications determined by his ethnicity on his artwork.

Richard Meyer's introduction to "The AIDS Timeline", a mixed media installation exploring its late decade socio-political context, by the four member Group Material collective which included Gonzalez-Torres.

Introduction to the large scale public works project detailing locations of various New York City installations links to five critical essays offering insight into his work and philosophy.

W.M. Hunt explores the subjective nature and affirms the diversity of interpretations for the artist's "Visions" series, sponsored by New York Museum of Modern Art's Projects 34.

Show description links to represented images and details the Dublin locations of his billboard installations that are part of the exhibition as public works.

Matthew Weinstein's digitally illustrated essay examines the societal impact and politcal challenges of his artwork.

Curators relate his work to museum's other holdings and introduce the artist, presenting his work in a detailed biographical context. Offered in English translation, pdf or html format.

Biography, image gallery, and transcript of 1995 interview by Robert Storr for ArtPress magazine offered in addition to Lawrence Rinder's review of the artist's 1994 solo MATRIX/Berkeley 161 exhibition.

Quotations of the artist himself provide image captions and link to a comprehensive bibliography and critical reviews of his work.